Pather Panchali

Synopsis

pather-panchali
Mother, Sarbajaya Roy (Karuna Banerjee), Sister, Durga Roy (Uma Dasgupta) and Brother, Apu Roy (Subir Banerjee) in happier times

Based on a Bengali novel of the same name, Pather Panchali follows Durga, a mischievous girl living in a poor part of Bengal. Her father, Harihar, dreams of a better life as a writer and her mother, Sarbajaya, struggles to take care the family that also includes Durga’s younger brother Apu and elderly cousin Indir.

Over the course of Pather Panchali we follow Durga and Apu grow up, and interact with their family and the wider community. The film shows a glimpse into the daily life of Bengali people, both good and bad. Unfortunately tragedy strikes and Durga dies of a fever caught during a monsoon. Distraught the family

Pather Panchali 20
Sarbajaya reveals to Harihar (Kanu Banerjee) that Durga is dead

leave the village in search for a better life in a city.

Review

The first part of “The Apu Trilogy” Pather Panchali (is a film that has been praised all over the world. It has won numerous awards from every prestigious film festival, and it is easy to see why. The film has a lyrical beauty to it. There is a constant interplay between the real and the mystical as the camera pans across vistas so vast the characters seem to be lost in or a part of the lush vegetation. Furthermore, the home that Durga, Apu and their family occupy blurs the distinction between the interior and exterior. The mise-en-scene is littered with flora and fauna creating a living breathing piece of art.

pp2
A Young Durga (Runki Banerjee) steals mangos for her elderly aunt (Chunibala Devi)

With this in mind the film takes on an almost palpable texture. You can feel the heat, smell the rain and touch the mangos that Durga poaches from a nearby orchard. The film feels fresh, real, authentic and original. Indeed that seems to be the highest praise for the film. Marie Seton argues that “it is absurd to compare it with any other Indian picture.”[1].  This does seem to be the case with it being distinguished from the glossy productions put forward by Bollywood, whose work is considered by western critics and Satyajit Ray to be clichéd, fantisiful and shallow.[2]

However it is also important to step back from the praise and ponder who is giving that praise and why. While the setting, characters and language are unequivocally Bengali the style of filmmaking is not. Ray in his writing on Indian Cinema argues then need for Indian National Cinema, it is ironic then that Pather Panchali is heavily influenced by the realist cinema of Europe. Narratively the film feels very comfortable alongside a British Realist film, with the celebration of mundanity and the sudden tragedy. Similarly, one must also ask; for whom is this the real India? Are the reflections of the families poverty in the exotic local really true or are they presented to confirm the western views of India? and is Ray selling this false image of India in order to gain a global market for his film?

Pather Panchali can be and should be considered a classic of Indian cinema. However by doing so one must also be aware of who is setting these definitions and why.

 

Credits and Stats

Directed by                            Satyajit Ray

Screenplay by                        Satyajit Ray

Based on                                 Pather Panchali by Bibhutibhushan Bandyopadhyay

Starring                                  Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta,                                                     Chunibala Devi and Tulsi Chakrabarti

Music by                                 Ravi Shankar

Cinematography                   Subrata Mitra

Edited by                                Dulal Dutta

Production Company           Government of West Bengal

Distributed by                        Aurora Film Corporation (1955), Edward                                                                                                     Harrison (1958), Merchant Ivory Productions and Sony Pictures                                                       Classics(1995)

Release dates                          26 August 1955 (India)

Running time                         112–126 minutes

Country                                  India

Language                               Bengali

Budget                                    ₹70,000–1,50,000 (US$14,600–31,300)

 

[1] Marie Seton, Portrait of a Director: Satyajit Ray (Indiana University Press, 1971)

[2] Satyajit Ray, “What is Wrong With Indian Cinema” in Our Films, Their Films (New Dehli, Orient Longman, 1976)

About the post

Asian Extremes

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: